All posts by Harris Dang

Film Review: Summer 1993 (Spain, 2017) is an illuminating and nuanced look at the mindset of a child in mourning

It is perfectly reasonable to believe that the majority of the world sees cinema as a temporary reprieve of the burdens of the outside world. We all see enjoyably bombastic things that would never occur in real-life like dragons, magic, aliens, sea creatures; features that are proven to provide examples of powerful cinema.... Continue Reading

Film Review: Mamma Mia: Here We Go Again (UK/USA, 2018) will have audiences chanting I Do! I Do! I Do! to this joyful sequel

If there was one sequel this year that people did not see coming, it’s Mamma Mia!: Here We Go Again. The sequel to the 2008 blockbuster hit has the entire original cast reprising their roles and we have welcome newcomers into the mix like Cher, Andy Garcia and of course, Lily James.... Continue Reading

Film Review: Ant-Man and the Wasp (USA, 2018) is the perfect antidote from the doom and gloom of Avengers: Infinity War

The superhero film boom continues! After the gloom-and-doom of Avengers: Infinity War, we now have the sequel to the miniature superhero franchise, Ant-Man and the Wasp. Free from the shackles of predetermined disappointment after the absence of original director Edgar Wright from the first film, returning director Peyton Reed and lead actor/co-writer Paul Rudd truly have the reigns to go where they want to go.... Continue Reading

Film Review: Show Dogs (USA, 2018) is a big “bark-you” to the audience

“Live-action family movies are somewhat of an endangered species these days as most family entertainment is now animated.” That is a line that is spoken by the director of the film Show Dogs, Raja Gosnell, who has a long pedigree (pun intended) of films that involve canines, as well as family entertainment.... Continue Reading

Film Review: Ideal Home (USA, 2018) is an average comedy with some chuckles, thanks to the leads

Considering the political climate that were in, you figure a mainstream comedy like Ideal Home, a film about two gay fathers that borders on stereotypes would be a bad idea. At least, that’s what people have been saying out there, due to impressions from the trailers and the posters.... Continue Reading

Sydney Film Fest Review: The Rider (USA, 2018) is an absolute masterpiece from director Chloe Zhao

Expectations can be a very powerful thing, especially when they are low. When people are asked to survey a form of art with subject matter that doesn’t interest them, it’s very certain that they won’t like it. But there are those forms that exceed one’s expectations and manage to give a satisfying experience and what would pique that interest is word-of-mouth.... Continue Reading

Sydney Film Festival Review: Holiday (Denmark, 2018) is an shocking, brutal and unforgettable experience… if you can stomach it

Have you ever seen a film that was so unexpected in its brutality and its disturbing content that you found it unforgettable? Well, one such example screening as part of Sydney Film Festival is Isabella Eklof‘s Holiday. Judging from the poster, you would expect some sort of exploitative saga about a woman in trouble, but through Eklof’s eyes, it is nothing like that at all, and that is what makes it all the more haunting than one could ever imagine.... Continue Reading

Sydney Film Festival Review: The Miseducation of Cameron Post (USA, 2018) is a sensitive, frank, funny and remarkably inclusive coming-of-age LGBTIQ film

For those who have read my glowing review of American Honey, I praised the main actress Sasha Lane for being a natural on-screen and a talent to look out for. Flash-forward to almost two years later, we have her on-screen again in the comedy-drama The Miseducation of Cameron Post and that had me excited. But fortunately, that’s not the only reason. The film is directed by Desiree Akhavan, who had directed the acclaimed romantic comedy Appropriate Behaviour, which dealt with its subject matters of gender roles and cultural perspectives very well. That point alone makes it highly appropriate that she is directing The Miseducation of Cameron Post.... Continue Reading

Sydney Film Festival Review: Piercing (USA, 2018) is a sadistic screwball macabre comedy with two fantastic lead performances

Before I start this review, it has to be said that this writer has a sick and depraved sense of humour. So stepping in to watch this sadistic horror/comedy film Piercing for Sydney Film Festival 2018, my expectations were sky-high.... Continue Reading

Film Review: Incredibles 2 (USA, 2018) brings more laughs than the original as the cast shines

It has been a very, very long 14 years, but the long-awaited sequel that many were asking for is finally here. Toy Story 4 Incredibles 2 has finally arrived! The first film was branded as the Fantastic Four film that people deserved and it catapulted the career of director Brad Bird to new heights, including live-action ventures like Mission: Impossible – Ghost Protocol and Tomorrowland.... Continue Reading