Dragon’s Crown Pro is kind of a lot. A remaster of Dragon’s Crown, a breathless love letter to the side-scrolling fantasy beat-em-ups of the Golden Axe era, the original both succeeded in its mission and managed to piss a lot of people off with its simplistic gameplay married to some of the most absurd character and art design ever committed to a video game. Now with a fresh coat of paint and kitted out for 4K displays, Dragon’s Crown Pro is back to do it all again. Continue reading Games Review: Dragon’s Crown Pro (PS4, 2018): Glow up
After over five years in development, Sony’s Santa Monica Studio’s God of War is back and I think you know by now, it’s a triumphant return for one of PlayStations greatest anti-hero’s and god defying badasses, Kratos. Continue reading Games Review: God of War (PS4, 2018), Raw, Punishing, Beautiful and Heartfelt
“Fuck the Oscars! This is the real shit, right here.” At least that is what creator and director Josef Fares said loud and clear regarding his new title A Way Out at the 2017 Game Awards. Given his enthusiasm, it wasn’t a stretch to believe that this experience would not be an extremely good one, especially after some of the team from StarBreeze Studios’ excellent Brothers: A Tale of Two Sons all seem to have followed Farez to new developer Hazelight. Continue reading Games Review: A Way Out (PS4, 2018): Greatness through simplicity
Far Cry 5 has been something of a curiosity since it was announced. While an unquestionably brave move to set this new installment of the 14 year old franchise in the United States, many were curious about the game’s motives — given the political and social turmoil in which the US currently finds itself, would Ubisoft be using one of their headline franchises to make some sort of political statement? Depending on where you stand politically, you may be relieved or disappointed to hear the answer is “Sort of? Not really.” Further, its hard to think of a more precarious moment for a game about the American heartland solving its problems with guns to arrive.
Continue reading Games Review: Far Cry 5 (PS4, 2018): Ain’t no easy way out
Ni No Kuni II: Revenant Kingdom is a phenomenally gorgeous game, playing host to some of the liveliest and most beautiful environments I’ve ever had the pleasure of traveling through. From a town controlled by the power of luck to dream lands filled with terrifying monsters, Ni No Kuni II takes you on an eye-opening adventure, introducing you to the struggles of King Evan of Ding Dong Dell and his faithful companions. Continue reading Games Review: Ni No Kuni II: Revenant Kingdom: Higgledy-Piggledy
I have a genuine love of job simulator games that is both unnerving and inexplicable. I also find them deeply hilarious. The seriousness with which they take themselves and my absolute refusal to take anything seriously makes for a very entertaining combination, at least as far as I’m concerned. Thus, when a code for Pure Farming 2018 arrived in my inbox last week, I was predictably excited.
Continue reading Games Review: Pure Farming 2018 (PS4, 2018): Get to work
It’s been around six months sine Assassin’s Creed Origins arrived and in that time, the game has proven itself to be one with legs. With Curse of the Pharaohs, the game’s latest and largest DLC expansion to date, Ubisoft looks to keep Bayek’s adventure rolling with a trip to Thebes. Continue reading Games Review: Assassin’s Creed Origins: Curse of the Pharaohs DLC (Xbox One X, 2018): Zoinks, gang, it’s a mummy
If Burnout Paradise Remastered does anything, it makes the EA of 2008 look like a benevolent creativity incubator when compared to the strife-prone publisher of today. For one thing, the game is great fun. For another, its clear that developer Criterion was given the room they needed to properly execute on their vision. It’s a reminder that EA hasn’t always forced the Frostbite engine on you or their developers. It’s a throwback to a time when the only post launch revenue streams we had to worry about were three reasonably-priced DLC packs and a bunch of free content drops.
So, rather than give people any further reason to ruminate on the disastrous year that was EA’s 2017, it makes sense that they’d kick 2018 off with a bit of a throwback to the good old days.
In the last twelve months, I’ve gone from having never played a Yakuza game to having played three of them and what I didn’t expect was for them to grow on me so quickly. This series has always felt very By Japanese People, For Japanese People, there’s so many cultural nods and gestures that don’t translate if you’ve never lived in Japan for a long period. The core, however, is always an artfully constructed crime story and this is what reliably pulls me through. Continue reading Games Review: Yakuza 6: The Song of Life (PS4, 2018): Stay strong
Supermassive Games are throwing out the releases in the last few months, we have had the moderately delightful Hidden Agenda via the Play link games on the PS4 and before that was their Until Dawn Spin-off Until Dawn: Rush of Blood as a PSVR launch title. It was a blast to play and really showed the promise of a great future for Supermassive, but then came The Inpatient on PSVR (reviewed here) it was not the best step forward from the developer that brought us the brilliant Rush of Blood, but every now and then we get a bit of a dud and all is forgiven and now comes Bravo Team VR, let us hope that the third times a charm right? Wrong. Continue reading Games Review: Bravo Team (PSVR, 2018) Shooting for the Bargain bin!