Tag Archives: Documentary

Australian director Leigh Whannell among winners of the SXSW Film Festival Audience Awards

Taking place between 9-18 March, the 2018 South by Southwest (SXSW) Conference and Festival in Austin, Texas has come to a close, and with that, the Audience Award winners have officially been announced. The awards cover a range of categories, from documentary features to outstanding narrative structure and creativity. Amongst the list includes Australia director Leigh Whannell (perhaps best known for co-writing Saw), who won the hotly contested “Midnighter” category with his film Upgrade.... Continue Reading

Screen Australia to fund an adaptation of Jimmy Barnes’ memoir Working Class Boy and 11 other Documentary projects

Screen Australia has announced funding for 12 documentary projects through the Documentary Producer and Commissioned programs.... Continue Reading

Film Review: Big in Japan (Australia, 2017) is far more than one man’s vainglorious pursuit

Where most foreigners settling in Japan pass their time in Japanese pubs, English schools or seeking out every piece of longstanding architecture, David Elliot-Jones spent his trying to become famous. And you’ve probably never heard of the guy, but that doesn’t mean he failed.... Continue Reading

AMW Film Fest Review: Take Me To The River (USA, 2015) is a soaring celebration of blues, rap and soul music

If American music has a heart and soul then you would find it nestled between Memphis and the Mississippi Delta. The documentary film, Take Me To The River realises this and pays homage to the soul men and women that created those passionate and influential hits for the likes of Stax Records and their ilk. This film is an absolute joy that shows the passing of the baton between some legendary and contemporary artists who work together to make beautiful music.... Continue Reading

Netflix Review: Mockumentary American Vandal is the surprise of the season

When spoofing a film or television series, one could create a shot-for-shot parody of the source material, or merely utilise its formula. The latter approach is the preferred option for many, but that brings with it a need to produce original, compelling material that is worthy of viewing in its own right.... Continue Reading

Film Review: An Inconvenient Sequel: Truth to Power (USA, 2017) might have been saved by Donald Trump

Donald Trump could have saved An Inconvenient Sequel. If Al Gore is the John Wayne of climate activism, as directors Bonni Cohen and John Shenk would have you believe, then Trump is Lee Marvin (AKA Bad M.F). This time it’s personal, as they say. As it turns out, we get very little Truth To Power, and a whole lot of what we already know.... Continue Reading

Melbourne Documentary Film Festival Review: The Slippers (Canada, 2016) is unbelievable, whimsical and charming

In the film, The Wizard of Oz Dorothy taps her ruby red slippers and says, “There’s no place like home.” But have you ever wondered where was home for those striking shoes? The documentary, The Slippers is a fascinating film that covers what became of this beloved slice of movie history in a story that is sometimes so strange and bizarre that you couldn’t make this stuff up. It’s a tale that has everything in it from romps through history to thefts, betrayals, conflicting emotions and obsession.... Continue Reading

Sydney Film Festival Review: Rumble (Canada, 2017) gives long-overdue credit to American Indians & their contributions to popular music

It seems that American Indians have been erased from the history books, including the chapters relating to contemporary music. Until now. The documentary, Rumble: The Indians Who Rocked The World looks set to change all of that by celebrating the contributions of these individuals and finally giving credit where it’s due.... Continue Reading

Sydney Film Festival Review: A Modern Man (Denmark/Germany, 2017) leaves you asking, “Who is Charlie Siem?”

A Modern Man is a documentary about a handsome, contemporary classical violinist named Charlie Siem. But who is Messer Siem? Unfortunately that question is not really answered in this film because this British-Norwegian musician puts up a wall that is largely impenetrable.... Continue Reading