Tag Archives: Horror

Film Review: Truth Or Dare (USA, 2018) is a cinematic game best left unplayed

Before Truth or Dare even begins, you know exactly what kind of movie you’re about to see.  Hoping to be some sort of new-era Final Destination, but failing miserably in the process, Truth or Dare follows every beat you expect it to, and it’s in this predictability that the film succeeds in being a massively entertaining ride for all the wrong reasons.  I mean, people don’t set out to intentionally make a film that’s so bad it’s good, right?... Continue Reading

Film Review: A Quiet Place (USA, 2018) is masterful genre filmmaking that soars leaps and bounds above expectation

Even when working off a plot device that doesn’t exactly test the limits of originality, a clever script and utter dedication from its workers can transform the familiar to something beyond our expectations.  Such is the case with A Quiet Place, an impossibly eerie chiller that presents civilisation as a fallen project, and those who have survived must exist in a plane of silence.... Continue Reading

Film Review: Happy Death Day (USA, 2017) survives on the strength of its sense of humour

As varying subsets of the horror genre have forged ahead in 2017 as some of the year’s biggest successes (Split, Get Out and It remain three of the most fruitful ventures), it only makes sense that the slasher genre attempt the resurgence it so desperately deserves. It simply isn’t enough however to let a film coax by on familiarity, especially in the horror field where most audiences are too smart to let the simplicity of a masked killer with a penchant for stalking young females be readily accepted.... Continue Reading

DVD Review: A Cure For Wellness (USA/Germany, 2016) discovers glee in its unrestrained European sensibility

Returning to the genre that arguably brought him to fruition, Gore Verbinski’s (The Ring) A Cure For Wellness is a decidedly morbid slice of cinema that revels in its own jarring weirdness. Here’s a film that has considerable monetary backing (something of a surprise for a particularly eerie horror experiment) yet comes off more like a pet-project-come-cult-classic-in-waiting.... Continue Reading

Film Review: Ridley Scott tugs on existential threads with Alien: Covenant (USA, 2017)

2012’s Prometheus marked the beginning of a franchised prequel to Ridley Scott’s original Alien, not only taking fans back to the origins of this iconic sci-fi franchise, but diving deeper into the meaty philosophies such a concept brings, finding purpose with the motif of creation. The introduction of synthetic android David (Michael Fassbender) emerged as the vehicle for this great change in shift and tone; however, not granting this character believable motivations, and creating dynamics between him and the film’s human characters that felt contrived at best, spoiled what was otherwise an intriguing build-up to the Alien universe. Alien: Covenant could be seen as Scott attempting to correct the ills that weighed Prometheus down, while giving us the same enhanced visual experience the 2012 film became known for. ... Continue Reading

Ahead of season two, we look back at the debut of Robert Kirkman’s brilliant FX series Outcast

Outcast, originally a comic published by Image Comics and created by Robert Kirkman and artist Paul Azaceta, is another Robert Kirkman TV creation that is slowly taking the world by storm. It may be a TV show that has a much smaller scale than Kirkman’s The Walking Dead series, but hey, even I remember watching the first season of that show and telling everyone else to give it a watch, they all laughed at me, “…it’s about Zombies?”, they smirked, “how good could it be?” Well, that was in 2010 and it’s now 2017, the show is still growing stronger despite a few bumps along the way.... Continue Reading