Jean-Louis Trintignant

Sydney Film Festival Review: Happy End (France, 2017) plays like a greatest hits album for Haneke

June 12, 2017

Michael Haneke is a bit of a misanthrope, isn’t he? Granted, I haven’t seen all of his films, but the few that I have seen seem to have a very critical view on society and human nature. And compared to mainstream fare, he makes films with plenty of space for the audience to contemplate and ponder what is happening on-screen with little to no spoon-feeding whatsoever.... Continue Reading

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