Tag Archives: Sydney Film Festival 2018

Sydney Film Festival Review: Holiday (Denmark, 2018) is an shocking, brutal and unforgettable experience… if you can stomach it

Have you ever seen a film that was so unexpected in its brutality and its disturbing content that you found it unforgettable? Well, one such example screening as part of Sydney Film Festival is Isabella Eklof‘s Holiday. Judging from the poster, you would expect some sort of exploitative saga about a woman in trouble, but through Eklof’s eyes, it is nothing like that at all, and that is what makes it all the more haunting than one could ever imagine.... Continue Reading

Sydney Film Festival Review: The Miseducation of Cameron Post (USA, 2018) is a sensitive, frank, funny and remarkably inclusive coming-of-age LGBTIQ film

For those who have read my glowing review of American Honey, I praised the main actress Sasha Lane for being a natural on-screen and a talent to look out for. Flash-forward to almost two years later, we have her on-screen again in the comedy-drama The Miseducation of Cameron Post and that had me excited. But fortunately, that’s not the only reason. The film is directed by Desiree Akhavan, who had directed the acclaimed romantic comedy Appropriate Behaviour, which dealt with its subject matters of gender roles and cultural perspectives very well. That point alone makes it highly appropriate that she is directing The Miseducation of Cameron Post.... Continue Reading

Sydney Film Festival Review: Piercing (USA, 2018) is a sadistic screwball macabre comedy with two fantastic lead performances

Before I start this review, it has to be said that this writer has a sick and depraved sense of humour. So stepping in to watch this sadistic horror/comedy film Piercing for Sydney Film Festival 2018, my expectations were sky-high.... Continue Reading

Sydney Film Festival Review: Juliet, Naked (USA, 2018) Is The Rom-Com We Deserve

Relationships are hard, messy complicated things. Finding a balance between what you want and what your partner wants, whilst still retaining a sense of uniqueness feels impossible. Most mainstream Hollywood rom-coms would have us believe that it’s possible with their glossy happy endings. Juliet, Naked is not the rom-com we need but the one we deserve, as it prefers to be a little more realistic.... Continue Reading

Sydney Film Festival Review: The Heiresses (Paraguay, 2018) is a low-key, yet compelling character study

If one were to describe this film briefly, The Heiresses could be seen a cross between Wong Kar-wai‘s Happy Together and Albert and David MayslesGrey Gardens. As Kar-wai says about the title of his film, being happy together is being happy with oneself, and it is within that context is where the journey in The Heiresses comes from.... Continue Reading

Sydney Film Festival Review: Disobedience (UK/USA, 2018) is a subtly compelling look into hidden passions and forbidden love

To say that the expectations for this film are quite high is quite superfluous, but it has to be said nonetheless. We have Rachel Weisz, one of the most talented actresses in Hollywood, who’s had a great run of recent films ever since starring in the weird and sweet quasi-dystopian romance The Lobster, and still going strong.... Continue Reading

Sydney Film Festival reveals a diverse and progressive program for its 65th year

As if you would expect anything less, the Sydney Film Festival has once again come through with an exciting, diverse and progressive program for its 65th iteration. Set for 6th to 17th June, the lauded festival is looking to be as immersive and thought-provoking as ever with a program that reaches far beyond the Official Competition and includes everything from the always anticipated Freak Me Out program, to International Documentaries and an expanded virtual-reality program. All in all, the program spans 326 films from 65 countries, including 21 world premieres.... Continue Reading